Saturday, 6 June 2009

Menilik Akar, Nusantara Art Exhibition 2009

I went to Pameran Seni Rupa Nusantara 2009 only a day before the closing day. I did not have the chance to join the discussion. Usually I've got my father who will help me with to pick up the boys and look after them, but after his surgery I don't want to bother him too much (I still left the boys for some hours on week-end in my parents' house:)). The school's examination made my schedule tighter than ever...this year I've got three boys to prepare. I'm also going to miss the yearly seminar on environmental issues led by CCF(French Cultural Center) and some other institutions.

The exhibition was really something (read the article from the Jakarta Post here). The most important thing is that artists from all over the country have their chance to exhibit their art work in Galeri Nasional. I love one particular piece, Senandung Alam Pegunungan III. The Dayak girl and her musical instrument, together with all those symbolism on the design of her tattoo, her clothes, and her musical instrument attracted me. I've uploaded it to my picture in Face Book, and a friend from Kalimantan gave me the local name; sampe for the musical instrument, and hudong for the mask. Using Face Book this way is very useful, we are exchanging news and knowledge easier and faster. Why should forbidding people from using Face Book if we viewed it through the positive way?

I was also smiling when seeing a chess board with a little girl on it. This little girl is trying to pick up some lollies. The candy's wrapped by pictures of political party. Which one to choose? Will it taste as sweet as the promise it gives on the wrap? I've got to crop it for my Face Book photos (hoping that the artist won't mind that)...the cropped version shows the lollies closer...and made my mind wondering if the artist is giving a specific meaning by the position of the fingers, but seeing the whole painting is surely how it caught my attention in the first place.

I intend to write about this art exhibition for wikimu, but instead I wrote about Pancasila. The 1st June is the birthday of Pancasila. A friend was sending me an invitation to come to an event prepared in Fatmawati's house. Surely I couldn't go...freedom to go and and join all the activities that I love is not mine now...I've got lots of responsibilities so I've got only freedom to choose priorities.

Following my wandering mind, I wrote about Pancasila for wikimu.com but using the image of Super P-Boy (Super Pancasila Boy) that I found in Pameran Seni Rupa Nusantara 2009. The picture was chosen as the icon of "Menilik Akar" (main theme of the exhibition), and it does fit in the article. Seeking for the root also means that we are talking about a tree. If we are going to keep the growth of the Nusantara tree, then it is surely on boys and girls, the adult of the future. Then, we've got to remind ourselves about how important education is. And to remind ourselves about those who are responsible to ensure the education...ourselves!

Actually I've found a lot of interesting art pieces in this exhibition. And as I was there after my monthly visit to the National Museum, I became more interested in those who convey symbols. That's how the statue Tameng Bhuwana also came into my face book's pictures. I am wondering about the symbol it conveys. A few minutes before facing this statue, I was walking in the new ethnic room in Museum Nasional and found stories about Garuda and the fight for the holy water and some other symbols in Balinese art. So, I was curious about the special meaning of this statue, I found some information here. It tells about the guardian of the earth (bhuwana). Bhuwana agung (the environment) and Bhuwana alit (human being) should always in harmony. The weapon "Dewata Nawa Sanga" representing the Gods who guard each cardinal and intermediate directions.

The Dayak girl and the Super P Boy came from artists resided in Kalimantan, while the Tameng Bhuwana created by a lecturer from ISI Denpasar (Bali). I hope the internet will help talented artist to develop themselves without the need to migrate into big cities (especially not only to the capital city)...

Note: photos will be uploaded later.

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